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LAC Lugano, ''Травиата''

Lugano

The stage setting designed by Guido Buganza plans to define the spaces with mobile layers of soft and fluctuating voile, reflective or semi-transparent as the lighting varies, to be moved easily with scene changes and during the scenes too.The scenographer identifies in the white EVA - Aurora voile the ideal fabric to support the directorial vision by Carmelo Rifici, in which the stage will also host ...
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... the presence of symbolic shadows, projections visible to the audience of the inner life of the protagonist.The stage set-up will be completed by 39 large veils arranged to form several layers with variable transparency, 1,560 m² of surfaces mostly made with 100% пошив с вертикальными складками.They will also be used as a support for the diffusion ...
... of the shadows created by Teatro Gioco Vita, an institution of Italian teatro di figura to which, during the last half-century of history, it has provided fundamental contributions, admired in theaters all over the world.The production of the show ...
... proceeds on all fronts.While in Studio Cromo scenographic workshop and in that of Piccolo Teatro of Milan the built parts are made ...
... Klemann tailoring atelier makes the costumes designed by Margherita Baldoni ...
... and the works procede with the preparation of the surfaces to hang made of EVA - Aurora voile, among which the technically most unusual is a large Французский занавес.Having to close the proscenium with a single tail to be raised laterally, the curtain will have a 17 m width, larger than its 10 m height ...
... and it will require the study of a special opening device which will be adjusted in Peroni's test theatre.The fabric backdrops, which include a grey, 11 x h 10 m, BSU - Super Gobelin tulle ...
... are then installed by LAC's stagehands on the main Ticino stage, where one begin to appreciate ...
Травиата
Мелодрама в трех актах
Музыка
Джузеппе Верди (1813-1901)
Либретто
Франческо Мария Пьяве
по театральной пьесе Дама с камелиями, Александр Дюма
Премьера
Венеция, Театр Ла Фениче, 6/3/1853
Сценография
Guido Buganza
Костюмы
Margherita Baldoni
Театр теней
Teatro Gioco Vita
Художник по свету
Alessandro Verazzi
Техническое руководство
Pierfranco Sofia
Постановка
Carmelo Rifici
Монтаж
LAC - Lugano Arte e Cultura
Сезон
2022

Используемые материалы

Вертикальные складки

Типологии изделия из ткани

Пошив вгладь (без складок)

Типологии изделия из ткани

Французский занавес

Типология занавеса

ASC - Sceno

Холсты

ATS - Toscana

Холсты

BSU - Super Gobelin

Тюль и сетки

EVA - Aurora

Вуаль

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