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Театр Карл Феликс, ''Весёлая вдова''

Генуя

Detail of one of the two curtains made of silver ECL - Креп Lamé.The stage designer Leila Fteita chose it for its glamorous appearance, suited to the art deco tone of the scenes, for its reactivity to light ...
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... and for its semi-transparency against the light, which here allows the luminous decorations of a carousel to be glimpsed.The carousel is an attraction that can be taken as a symbol of the directorial interpretation of Luca Micheletti ...
... as his own words illustrate:«The show hinges on two main axes with multiple declinations: on the one hand, the “waltz tour” as a symbol of an era; on the other, the theme of the theater as a glittering refuge outside the world.We are in a universe in which, first of all, everything constantly revolves: a music-box society that celebrates itself in the ritual merry-go-round that Schnitzler elevated to the symbol of the entire century ...»
«... publishing his Reigen in 1900.You can't stop: there is a law that condemns to carelessness.In the same way, nothing can be taken seriously: and here is the theme of the theatre, of the continuous changing and exchanging roles, masks, status, opinions.»The two curtains made of silver ECL - Креп Lamé, here illuminated with blue light ...
... were made up with 100% пошив с вертикальными складками, measure 22 x h 12 m and are equipped with a Итальянское открытие.The two curtains, which lighting designer Luciano Novelli illuminates here with warm light, open onto a shimmering background in black MSK - Skirbitz ...
... which is raised here with Римское открытие, while the colour temperature of the light is switched to cold.Round like Schnitzler's merry-go-round are also the three concentric circles that suspend a large stylized cylindrical chandelier in mid-air over the scene ...
... just as the large banquet table is round, on which a 10 m Ø tablecloth made of HSX - Sintex synthetic silk is placed ...
... and the platform in the center of the stage is round too.
Весёлая вдова
Оперетта в трех актах
Музыка
Франц Легар (1870-1948)
Либретто
Виктор Леон (1858-1940)
Лео Штайн (1861-1921)
Премьера
Вена, Ан дер Вин, 30/12/1905
Сценография,
художник по свету,
Leila Fteita
Light design,
техническое руководство
Luciano Novelli
постановка
Luca Micheletti
Монтаж
Театр Карл Феликс, Генуя
Сезон
2021/2022

Используемые материалы

Австрийский занавес

Типология занавеса

Вертикальные складки

Типологии изделия из ткани

Горизонтальные складки

Типологии изделия из ткани

Итальянский занавес

Типология занавеса

Пошив вгладь (без складок)

Типологии изделия из ткани

Римский занавес

Типология занавеса

ECL - Crepe Lamé

Металлизированные ткани

FMB - Macbeth 400

Велюр

HSV - Trevi

Шёлк и атлас

HSX - Sintex

Шёлк и атлас

MSK - Skirbitz

Металлизированные ткани

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