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Compagnia Marionettistica Carlo Colla e Figli, ''Аида'

Милан

Puppet theatre sometimes achieves the impossible: an Aida with a happy ending.From the presentation by Eugenio Monti Colla:«Faithful to the nineteenth-century puppet tradition, our Aida includes sung parts and spoken parts.Furthermore, by distorting Verdi's opera ...»
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«... due to the pressing demand of the public that crowded the Teatro Gerolamo¹, the finale includes the collapse of the Temple and the escape of Radames and Aida towards the dreamed ''embalmed forests''.»¹ The historic Milanese theater, also called Teatro Fiando, which has hosted the Colla shows since the 19th century.
The sets of puppet theater are traditionally made mostly of paper.However, it is not uncommon to use fireproof fabrics, in this case ASC - Sceno muslin and ASL300S - Light Sceno 300 cm light muslin ...
... used mainly for the production of painted backdrops, but also in the creation of costumes.The ARI - Reps Ignitex 103. beige fabric was appropriately worked to give a ''sandy'' appearance to the stage floor.
The costumes made on sketches by Eugenio Monti Colla and Lila De Nobili, great costume designer of the '900 and collaborator, among the others, of Luchino Visconti, Franco Zeffirelli, over that of the Teatro Alla Scala of Milan. were realized by the tailoring of the Associazione Grupporiani.
The stage equipment of the Company, which includes the traditional maneuvering bridge for the puppeteers, was designed by the set designer Franco Citterio ...
... and can be dismantled and transported.It adapts to any stage capable of containing it, as long as it has at least 4 fly facilities from which to suspend the Фиксированные блоки of which it is composed.It is therefore a ''stage within a stage'' ...
... which allows the Company to use its own equipment in each theatre and minimises the need for adaptation and the unexpectedness of the installation, thus preserving the quality standard for which the Colla are famous.The stage of the host theatre must have the following characteristics:
Версия оперы Верди известного Compagnia Marionettistica Carlo Colla e Figli, наследника традиции, заложенной основателем Giuseppe Colla (1805-1861).
Сценография
Franco Citterio
Pierluigi Bottazzi
Maurizio Dotti
Костюмы
Eugenio Monti Colla (1939 - 2017)
Lila De Nobili
Художник по свету
Franco Citterio
Техническое руководство
Tiziano Marcolegio
Монтаж direction
Carlo III Colla
Производство
Associazione Grupporiani
Постановка
Eugenio Monti Colla (1939 - 2017)

Используемые материалы

Ручные системы для штанкетов

Риггинг системы

Фиксированные блоки

Риггинг системы

1K - Kompas

Рельсовые системы

3C - Canapa Трос

Веревки и тросы

ARI - Reps Ignitex

Холсты

ASC - Sceno

Холсты

BSU - Super Gobelin

Тюль и сетки

GGI - Siria

Газы

WCC - Лента C

Изделия из ткани: отделка и аксессуары

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