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Teatro alla Scala, ''La damnation de Faust''

Milan

In the foreground, two Half portals made of ASC - Sceno muslin painted à trompe-l'oeil by the painters scenographers of the Scenographical workshop of Teatro alla Scala ...
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... are masking laterally the framed backdrop made with the same technique.Its lifting will reveal the scene ...
... delimited in depth, in this case, by a backdrop made of painted ASC - Sceno muslin which, when the background will change, will leave space ...
... to a Rear-illuminated cyclorama made of RAR - Arizona.The scene will take on different aspects thanks to the movement of the Half portals ...
... that will contour the backlit background in a variable way ...
... which has the possibility of taking on multiple colours, from orange ...
... to yellow ...
... to light blue en dégradé.
La damnation de Faust
Légende dramatique in four parts
Music
Hector Berlioz (1803-1869)
Libretto
Hector Berlioz
Almire Gandonnière
Gérard de Nerval
from Goethe
First night
Monte Carlo, Théâtre de l'Opéra, 18/2/1890
Scenography
Margherita Palli
Costume design
Carlo Diappi
Light design
Andrea Anfossi
Stage direction
Luca Ronconi (1933-2015)
Staging
Teatro alla Scala of Milan
Season
1995, revival of the staging of 1992 by Teatro Regio of Turin

Materials used in this production

ASC - Sceno

Muslin and canvas

RAR - Arizona

Rear-projection films

Rear-illuminated backdrops

Vinyl backdrops: typologies

USC - Nylonet

Stage nets

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