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Teatro alla Scala, ''Madama Butterfly''

Milan

A transparent and opaque layer was created using some white tulle BGO - Gobelin fixed on frames in front of several painted backdrops made of white ASC1000S - Sceno 1.000 cm muslin.Transparence and opacity were alternated using the lighting and the projections.
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The change of the background compared to the previous image and the following is achieved by a simple change of lighting and projections on the backdrops made of white BGO - Gobelin tulle fixed to the frames and of the change of the lighting on the backdrops made of painted white ASC1000S - Sceno 1.000 cm muslin.
White BGO - Gobelin tulle ...
... and painted white ASC1000S - Sceno 1.000 cm muslin.
Frames with white BGO - Gobelin tulle.On the floor, painted ATP - Quattro30 canvas.
Frames with white BGO - Gobelin tulle.
The close distance makes visible the mesh of the white BGO - Gobelin tulle.
On the floor, painted ATP - Quattro30 canvas.
Madama Butterfly
Japanese tragedy in three acts
Music
Giacomo Puccini, (1858-1924)
Libretto
Giuseppe Giacosa
Luigi Illica
from the homonym tragedy by John Luther Long and David Belasco
First night
Milan, Teatro alla Scala, 17/2/1904
Scenography
Alvis Hermanis
Leila Fteita
Costume design
Kristine Jurjāne
Light design
Gleb Filschtinski
Video design
Ineta Sipunova
Stage direction
Alvis Hermanis
Staging
Teatro alla Scala of Milan
Season
2016 / 2017

Materials used in this production

APO - Pelle Ovo

Muslin and canvas

ASC - Sceno

Muslin and canvas

ASL - Light Sceno

Sheer muslin

ATP - Quattro30

Muslin and canvas

BGO - Gobelin

Scrim and bobbinet fabrics

COT - Oscurante Teatro

Duvetyne and blackout fabrics

HSE - Tempesta

Silks and satins

Ultra Wide Ecoprint

Printing on fabrics

USC - Nylonet

Stage nets

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