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Teatro Bonci, ''A.B.A. Bologna''

Cesena (Italy)

Bastien und Bastienne The scenographies of this precocious work by Mozart use some Rear-projection screens realized with the film RNO - Notturno where are shown, connecting to the dramaturgical situations, nice and easy animations with a clear chagallian inspiration.The obscuring of the stage ...
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... was realized with a Stage masking made of COS - Oscurante molton.For the flooring was used some painted ATP - Quattro30 canvas.
Mozart and Salieri The floor is made of painted ATP - Quattro30 canvas.
The Secret Marriage Several backdrops painted on ASC1000S - Sceno 1.000 cm muslin create the perspective of an eighteenth-century interior in the panel of a big frame, that doesn't merely have a decorative assignment, but the symbolic one to underline the origin of the opera by Domenico Cimarosa, inspired, as it is known, to the cycle of paintings Le mariage à la mode by William Hogarth. The stage around the frame was darkened with special backdrops made of black COS - Oscurante molton, the floor inside the frame was covered with some painted ATO - Iago canvas.
Don Pasquale A curtain painted on ASC1000S - Sceno 1.000 cm muslin.
Walls and pictures were painted on ASC1000S - Sceno 1.000 cm muslin.
Suor Angelica The image illustrates the way with which the vision of Angelica dying was realized, one of the most touching scenes ever put in music from Puccini.A backdrop made of black BSU - Super Gobelin tulle was used in order to clearly separate the two parts of the stage or to get a mixture among the image projected in transparency on the tulle and the rear part of the stage.
The scenographies realized by the students of the Accademia di Belle Arti di Bologna-Cesena (A.B.A. Bologna), staged at the Teatro Alessandro Bonci of Cesena, are a demonstration of as, departing from didactic intents and without the means of the great international productions, it is possible to make some installations of considerable stage interest.
Project and realization of the scenographies, props and costumes
Students of the Course of Scenography of the Melodrama
of the Accademia di Belle Arti di Bologna-Cesena
Scenographical workshop
E' Pizzòn Viazador
Classroom-workshop of the academic center of Cesena
Manager of the course
Enrico Manelli, teacher of Scenography
Coordinator of the workshop
Marcello Morresi, teacher of Elements of Scenography
Scenografia
Eugenio Gatto (Bastien und Bastienne)
Eugenio Gatto (Mozart e Salieri)
Silvia Trevisani (Il matrimonio segreto)
Nicola Fagnani (Don Pasquale)
Cecilia Bettiol (Suor Angelica)
Luciana Fornasari (Volo di notte)
Davide Tagliaferri (La traviata)
Fabio Gramolazzo (La bohème)
Cristian Zurita (La bohème)
Costumi
Elisa Meloncelli (Bastien und Bastienne)
Silvia Bolognesi (Mozart e Salieri)
Silvia Trevisani (Il matrimonio segreto)
Elena Chiacchio (Il matrimonio segreto)
Francesca Messori (Don Pasquale)
Cecilia Bettiol (Suor Angelica)
Elisa Meloncelli (Volo di notte)
Lavinia Cascone (Volo di notte)
Chiara Guberti (La traviata)
Francesca Messori (La bohème)
Realizzazioni pittoriche
Fausto Dappiè (Don Pasquale)
Produzione
Conservatorio ''B. Maderna''
Accademia di Belle Arti di Bologna-Cesena
Regia
Gabriella Medetti

Materials used in this production

ASL - Light Sceno

Sheer muslin

ATP - Quattro30

Muslin and canvas

BSU - Super Gobelin

Scrim and bobbinet fabrics

COS - Oscurante

Duvetyne and blackout fabrics

QNS - Bianca

Decorative materials

Rear-projection screens

Rear-projection screens

RNB - Nebbia

Rear-projection films

RNO - Notturno

Rear-projection films

RNV - Nevada

Rear-projection films

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