Museo del Prado, ''Atelierul lui Rubens''

A drape symbolically raised on the door of the room to allow access, as if it were a curtain protecting a bygone era, introduces the spectators to the space in which, together with the paintings that make up the exhibition on Peter Paul Rubens, his atelier has been scenographically reconstructed with philologically chosen objects: brushes, palettes, fabrics, boards, easels.
All impregnated with the smell of turpentine, one of the most present in ancient ateliers.

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